Dear Monica


By Keith May
(Originally appeared in Cycle World magazine)  


On April 7, 2007, tattoo-artist Monica Henk was hit by a black SUV at the corner of Kent and Flushing in Brooklyn, New York. Monica was on a motorcycle and she was only twenty-six.

Artist. Singer. Model. Dancer. Vixen. Gemini. Bohemian. Free-spirit. Monica was no girl next door and no blank canvas.

She loved art, guns, Afro-Cuban rhythm, loud guitars and sushi. Frank Frazetta and H.P. Lovecraft. Movies but not TV. “Love isn’t for cowards… Love the life you live and live the life you love,” her myspace reveals. “If you like to get tattooed or even talk about an idea come and see me,” her website offers.

The reward has grown for the capture of the driver of the 95-97 black Chevy S-10 Blazer that killed her. If you have information call New York State Crimestoppers at 800-577-TIPS.

Rattle and Hum


By Keith May

Harley, Honda, Triumph, Ducati. Fender, Martin, Gibson, Rickenbacker. Sportbikes, cruisers, dirtbikes, scooters. Six-string, twelve-string, acoustic, electric. The similarities between a beautifully crafted guitar and an impeccably-engineered motorbike are hard to ignore if you enjoy getting what you can out of both.

Sculpted feline curves, sensual and aggressive, draw you in. Polish, tune, noodle and gaze. As you listen to it's purr, attachment borders on love. "‘Til death do us part," you mutter subconsciously.

Plug it in or turn the key. Sparks ignite. Pistons pump. Vibrations echo and neighbors complain. Repeato il tiempo. Faster you go as rhythm takes over. Strum it, pick it, pound it. Screw it on. Dancing on the edge but always in control. The beat goes on.

Mike The Bike, Hurricane Hannah, Valentino Rossi.

Stevie Ray Vaughn, Pete Townsend, Eddie Van Halen.

Imagination takes you anywhere, so dream on.

Destination reached, the music ends. The instument hums but for the moment lies at rest.

Waiting.

Sturgis Virgins


Words and Photos By Keith May
(Originally appeared in Cycle World magazine)  


Remember your first time? Vegas? Mardi Gras? Third Base? Weeks later you were still talking about it? Well, The annual Sturgis Rally in South Dakota is like that. But for a bike-lover, even better. A hippified come-as-you-are larger than Woodstock and just as friendly.

"Elk chili on the stove, beers in the cooler!" Kinder words were never heard after a full day exploring South Dakota on big-inch power-cruisers. Welcome to the Chubb's Bro's Clubhouse. A biker Shangi-La and annual home of life-long associates of our riding companion Bruce Fischer. On the large porch overlooking Sturgis Fairgrounds, Jim, Fast Rick, Greg, Sil and other Bro's gather 'round a bottomless cooler swapping new jokes and old ones.

For myself, Catterson and Cernicky, this is our first time at Sturgis and when Bruce points out "The Rally's just a short walk away." the four of us look up from chili bowls eagerly, and after an approving nod from David, follow Bruce to Main Street. This is his 25th year at The Rally and he beams with fond memories, sharing points of interest and colorful anecdotes. Wild nights at The Broken Spoke and bar fights at The Oasis.

But it's getting late and we still need to make it back to Rapid City, 45-minutes south. Despite the 40- minus windchill, I felt nary a chill chasing Cernicky at 80-plus down the interstate. The Yamaha Warrior's glowing tach and speedo a welcome comfort. Orion watching from above, the singing motor and flawless transmission providing added confidence. The nimble chassis and secure riding position as comfortable as an FZ-1. Perhaps it was the familiarity of a soft saddle and roaring pipes, or the lush paint and lavish chrome, but sparkling in the bright morning sunlight, it was definitely love at first sight.

I had avoided the V8 Boss Hoss all week. Intimidated not by its gargantuan presence, but by David's explanation of starting procedures. Watching Cernicky's tentative cornering (there's a first time for everything) only reinforced my opinion. But on our last day, headed for Wyoming's Devil's tower, my number was up. While David paid for lunch, Cernicky provided the abridged riding procedure. Two gears, plus Reverse, no clutch, etc., etc. Ignition is less than graceful, the 305-inch 344 hp motor has plans to take off before you do. Physics are the same for all bikes, however and at speed, momentum takes over allowing the rider to relax and watch the horizon unfurl before him. At least until the road curves. The clutchless shift from first to second is seamless, but when the road narrows, the shift back down can be unnerving. Getting the Boss through corners is like steering a boat through passage. The flat profile of the massive rear tire fights the rider both physically and mentally. Losing grip seems almost inevitable and after running out of road a few times, my original dislike resurfaced. The obnoxious styling was a matter of taste, but how can you ignore the heat displaced by a V8 between your legs? For me, the best motorcycles display feline qualities. The Boss is the antithesis of this philosophy. A great conversation piece for those who need a spotlight. Shaquil O'Neal, your chariot awaits.

The Triumph Rocket III was a popular ride. A surprisingly low seat-height and balanced geometry made flicking her through corners a blast. Smooth gearing transferring limitless power to a solid chassis. But its styling not everyone's cup of tea.

I'd like to comment here on the Honda 1800, but have nothing good OR bad to report. It's a Honda Shadow, only larger. Aside from the limited-edition paint, the Kawi Vulcan also suffers from anonymity. A great motor and symphonic pipe, but neither first-choice or runner-up.

The Victory also suffers from a lack of character, but not as much. Holding its own at almost every level and receiving loads of accolades. "The best Victory yet." "Handles like a dream." "Just look at the fit and finish." But trained eyes also noticed the small front wheel swallowed by a large front fender. An easy fix, but should have been caught on paper. A fine bike but still not a Harley.

And, when you fire up a Harley Fat-Boy, all those cliches are justified. The attention to detail and pride in craftmanship are on full display with no apologies necessary. Simply flawless. Like the midwest itself, photographs cannot do it justice. Nothing felt more at home on the road to Sturgis.









The Art of Hector Cademartori


By Keith May
(Originally appeared in Cycle World magazine)  


Some of Cycle World magazine's most enduring design elements are the illustrations by Hector Cademartori that have accompanied the Hotshots and Service sections each issue for almost 30 years. Often humorous, sometimes formal, technically precise and endearingly whimsical, each is meticulously rendered by Hector using traditional drawing methods polished since childhood. They show a pride of craftsmanship surpassed only by Hector's eternal optimism and boundless enthusiasm for the subject matter.

Born in Buenos Aires, where Fangio is a household name, Hector was deeply influenced by racing icons like Gurney, Stewart, Rodriquez, Hill, Surtees and, of course, anything Ferrari (half of Argentina's population is of Italian descent). The racing scenes exploding out of young Hector's sketchpads delighted schoolmates and set his career path.

After high school Hector began selling his art professionally and signed on at CORSA magazine where he was placed in charge of the motorcycle section. In 1972 he purchased his first motorcycle, a 1928 Harley-Davidson. Not ideal for beginners and ridden only briefly before moving on to a 1949 Royal Enfield 500 and then to a 1952 Triumph. At the time, imports were closed in Argentina and options were limited to Fifties-era British or Italian bikes, or the local two-strokes.

Hector moved to the United States in 1983, where his automotive artistry found a ready audience. Clients have included the Automobile Club of America, California Speedway, Indianapolis Raceway, Laguna Seca Raceway, Honda, Kawasaki, Toyota, NHRA, TRD, Dan Gurney's All American Racers and Yamaha, among many other companies and individuals. In 1987, he began contributing to Cycle World and the rest is history.

“My heart remains with motorcycles, which provided my first assignments and the opportunity to begin my professional life in America, where I live in LaVerne, California, with my wife Florencia and three children, Eduardo, Florencia and Mercedes,” says Hector proudly in his charming South American English.

Hector's work can be found in galleries, living rooms, boardrooms and garages around the world.

The Ghost of Robert Johnson


Words and Photos By Keith May
(Originally appeared in Cycle World magazine)  


So there I was, dancing on the grave of Robert Johnson, peeling my clothes off like some ecstatic medicine-man. Thousands of angry fire-ants—an army from hell—filling me with deadly poison.

Rewind 48 hours. Memphis, Tennessee. 706 Union Avenue. Sun Studios. The historic corner Sam Phillips, Carl Perkins, Jerry Lee Lewis and Elvis Presley turned R&B into Rock and Roll. Surrounded by vintage microphones and empty guitar stands, I felt the bliss a Christian feels on Easter and loitered as long as possible, inhaling the moldy, but rarified air. A Sun Anthology purchased at the counter became the soundtrack for loping through the Mississippi Delta in a rented Ford Mustang.

I was following journalist Peter Egan in a “Search for Robert Johnson” and photographing his adventure. Yes, that Robert Johnson–the black hustler who sold his soul at the crossroads to play guitar like the devil. And, yes, that Peter Egan. The patron-saint of motorcycle journalism. He was on a shiny new Triumph Bonneville, and I wasn’t. Motorcycles don’t have radios or roofs however, and I counted my blessings when the rain came. Wipers slapping time to “Mystery Train,” “Bear Cat,” “Born to Lose,” “Ooby Dooby” and “Great Balls of Fire.”

Grey, two-lane blacktop unfurling through a flat, cotton-blanketed horizon. Crop-dusters briefly interrupting the hypnotic landscape. Hot gumbo and cold beers. Fried catfish and hungry mosquitos. Tombstones and honky-tonks. Beale Street, Clarksdale, Rosedale and Highway 61. Sunrise coffees and late nights on the dark side of town. Daydreaming in the land of cotton. Of crossroad blues and the ghost of Robert Johnson.
















Ants In My Pants by Skeeter Jackson

The Odd Couple


By Keith May
(Originally appeared in Cycle World magazine)  


“Cycle World magazine says this DR200 is good for 68mpg.” I mentioned, casually pushing the diminutive play-bike out of the garage. “I doubt the Scrambler gets that,” my friend Barry Hathaway added, referring to the 1965 Ducati 250, he recently purchased at a Colorado bike auction for $1700 and now glistens pale-blue in the mid-morning light. “Amazing how far motorcycles have come. With similar displacement, this should be interesting.” Tentatively adding, “But let’s not stray too far from home.”

Barry was still getting acquainted with his little Ducky and we agreed a leisurely jaunt down Pacific Coast Highway would provide a good shakedown, hopefully finding some dirt for these two “dual-purpose” bikes along the way.

Throttles pinned, but unable to keep up with Hummers and Euro-sedans blasting down the coast, we pulled over to re-evaluate. Geared like RVs, but powered like MGs, we agreed both bikes were too under powered for public corridors and began searching for trails. Surrounded by sprawling coastal development, it was soon found. An unlocked gate revealed an empty lot of tractor-paths, craters and loose earth. Round and round, up and down, we played like children on a snow-day. Barry’s Scrambler jauntily going everywhere the DR could go. That’s actually not saying much. The DR struggles to pull a grown man over steep hills and lack of torque and a cramped riding position keep the rider much too honest. At (almost) six feet, straddling the tank is not an option and placing my ass far back in the saddle at least provided some leg room. And unless you’re Stretch Armstrong (or a knuckle-dragging Neanderthal), standing on the pegs is too far a reach to the handgrips. Nevertheless, getting dirty is a lot more fun than playing chicken on the highway.

Aside from briefly overheating, Barry’s Ducati performed surprisingly well, but was significantly slower than the bullet-proof DR200. With an optimistic top-speed of 60mph, that’s pretty slow. It’s the price you pay for 70 mpg. For those who enjoy speed limits, the DR is for you. Ditto the old Scrambler.

What the Ducati lacks in modern technology, however, it more than makes up for in simple character. At every stop, the little blue Scrambler received all the attention. From old men and young gals alike. Barry gleefully explaining the old Italian eccentricities. Rear brake and kick start on left, shifter on right, drum brakes front and rear, etc. The bright yellow DR was by comparison invisible and, aside from fuel-mileage, provides no talking points. Barry’s Scrambler even sounds more interesting. And purchased for half the price!

Like the DR, the Ducati is most comfortable on level, unpaved roads, side-streets and back-alleys. But the Ducati is also at home at biker swap-meets, vintage rallies and even honky-tonks. Pull up to a House of Blues on the DR? I don’t think so.

Like a proud Papa, Barry loves his new, old Ducati. Riding it and talking about it. (Don’t get him started) Proving, yet again, that the emotional connection a rider is rewarded with from a bike that needs more than gas is priceless.

But, then again, you can’t put a price on reliability, either.

White Line Fever


By Keith May
(Originally appeared in Cycle World magazine)  


Call me romantic, but there’s nothing sweeter than an empty highway snaking through rural farm-country. And on Superbowl Sunday, I was determined to find one all to myself. While the majority of Western Civilization was glued to the tube sucking back Miller Lite and Polish sausage, I was in search of something even more elusive than truth in advertising. The Open Road.

Too much grape-juice the night before causes a late start and it’s 1:00 before I hit Interstate 5 from Orange County. A monotonous hour of six-lane concrete transports me conveniently to Oceanside and scenic Highway 76. Another half hour of suburbia and the road finally opens up in Fallbrook. And so does my throttle.

Long, sweeping, high-speed curves river through orchards, fruit stands and Indian reservations. Traffic is light and it soon gets even better. Mesa Grande Road is a short detour through pastures of heaven. With no one in front, or behind, I enjoy a brief taste of nirvana on this hidden route. But keep your eyes open for free-roaming livestock and blind curves. You won’t see either coming. And don’t say I didn’t warn you.

I roll into Julian at 4:30. It should be halftime by now and I wonder who’s exposing themselves on national television. Skipped lunch and it was time for dinner, but the sun has begun it’s descent behind local mountains and day is fast becoming night. Mission accomplished, I fueled the Bobber and headed north-by-northwest.

The Harley’s been chugging along non-stop for five hours now with no complaints. The proven, but thirsty 1450cc twin-cam V-twin hums along in perfect tune and minimal vibration. Stock, two-barrel pipes broadcast patented rumble at neighborly decibels.

Added rake, stretched bars and wide gearing make hidden apexes a tedious affair, but 634lb. bike is thankfully stable and responsive. Soft Dunlops track well the rider’s input. The ultra-low, deep-dish saddle provides support and comfort, but there’s no wiggle-room and none required. Your ass is planted securely and the reach to throttle feels surprisingly natural. Large diameter grips and light, but beefy levers are easy on the wrist. Mirrors provide excellent rear and peripheral vision. It’s as though The Motor Company had used my own body as a jig. But then, I’ve always liked Dynas.

When I returned to the Five, day had become night and coastal fog was rolling in. The Superbowl was long over and I battened down the hatches and merged into traffic. After seven hours in the saddle. I was tired, but remained surprisingly comfortable. No cramps, back-pain or carpel-tunnel. Perhaps it was just euphoria of the hunt.

The Coolest Kid in The Universe


By Keith May
(Originally appeared in Cycle World magazine)  


My nephew Wesley. Blessed with natural grace and fountains of energy, he rides anything with wheels (or without) and can shoot the tail off a rattlesnake at fifty yards. Quiet but fearless, he takes it all in stride of course. He is, without a doubt, in my completely objective opinion, absolutely the coolest kid in the Universe.

On a much-too-rare visit home to Georgia I spent some time with this youngest of our brood. He was ten and I was thirty-something. After humbling me on PlayStation he showed me his old Honda 50R. Mechanically sound but cosmetically challenged, a modest hand-me-down from an older cousin. Papa has a big Quad down the street so we pulled that out too and I was soon chasing Wes around pine and kudzu trying to keep up. Did I mention he’s fearless? And sneaky too–leading me into a briar-patch and smiling from the tiny exit. Luckily big Quads include a Reverse gear. Time to swap four wheels for two. Tag you’re it, Wes.

The next morning he and I were drinking coffee, tossing pennies against the curb of the local motorcycle dealer anxiously waiting for the doors to open. Outgrowing the Fifty, he wants to shop around and pray for a miracle. Inside awaited a generous collection of sparkling, never been ridden CR, KX, SX, RM, and TTs. And pimped-out pocket-bikes too. Toys for all ages. Alot to consider, but reaching the ground is priority one, at least with tiptoes. He’s instinctively drawn to the flashiest mini-motocrossers, but remarkably pragmatic and looks for something he can get the most use from. A pitch he’s charmingly rehearsing on me.

Twenty five years ago I was using the soft-sell on my Dad. He did his own research and Christmas morning a Kawasaki KD100 waited under the tree. Simple. Durable. Kick-start only. One down–three up. I rode the wheels off that little green monster and was free to ride anywhere a full tank could carry me. As long as I was home for dinner. My small world was suddenly a large one and getting bigger all the time. Thanks, Santa Claus.

Meanwhile, Wesley continues to look for an upgrade to the venerable XR50, but now that he’s discovered girls too, he has a whole new world of options.

Wesley Daniell. Coolest kid in the universe. The legend continues.

Falling in Love with a Triumph Bonneville


By Keith May
(Originally appeared in Cycle World magazine)  


You get used to it after awhile. The looks, the smiles, furtive glances, longing stares. Everywhere I go, women, men, children and old folks, too. At stoplights, in parking lots or chasing me down the highway to follow close beside, faces pressed against the window like giddy schoolgirls. Yeah, it’s tough sometimes, but I try not to let the adoration go to my head. Afterall, it’s the bike not the rider they’re falling in love with.

“That’s a really nice bike. I mean a reeeeeeeeeealy nice bike.” I hear repeatedly, verbatim, from a wide variety of friends and strangers all day long. People who usually shy away from bikes are magically drawn to the 2006 Triumph Bonneville. And staying true to its British pedigree, it receives winks and nods from purists, too. Thanks to Brando, McQueen and Arthur Fonzarelli, the Bonnie’s silhouette is burned forever in our collective consciousness and triggers idyllic notions of biker fantasies.

Legs wrap around the small tank naturally, back straight, hands at shoulder width, a soft seat with room for three and enough power from the oil-cooled 790cc Twin to stay (slightly) ahead of traffic. A full tank carries me a tick over 100 miles before hitting reserve.

Fit and finish are immaculate, but as attractive as this bike is cosmetically, under her skin a thousand parts are happily chugging away in perfect union. Featherweight clutch action and a nicely meshed gearbox keep the party going. Idle to redline, smooth as butter and quiet as a mouse. The perfect accomplice for a friend’s ranch-style wedding in the Santa Ynez Valley, 200 miles away.

I get out of town early Friday and hit the 101 just before lunch-hour. Blasting through Ventura, Oxnard and Santa Barbara, I exit to find some elbow room on the casual two-lane of Highway 154. Ah, freedom at last! A detour on 246 carries me through hills of gold and manicured wine country. The Bonneville is a fine commuter, but really shows her legs in this open country and it’s hard not to fall for her easy nature. Or, maybe there’s just love in the air.

At the wedding later that day the groom arrives on horseback, his bride in a horse-drawn carriage. After a moving hilltop ceremony, dinner brings emotional speeches, stirring toasts, prime rib and dancing ’til midnight. Strangers become friends, friends become lovers, lovers become serious.

The morning after, I was back in the saddle, just me and the Bonnie, beating down the highway, enjoying those furtive glances.

Naked to Colorado


Words and Photos By Keith May

La Cave Restaurant in Newport Beach, California has been a favored Southern California steakhouse and lounge since 1962. Literally underground, the dim, warm light provides subtle illumination to red-vinyl booths filled with Orange County’s wealthiest alcoholics. Legend goes that La Cave was a favored haunt of John Wayne who lived nearby. A constant parade of hipsters and well-dressed curmudgeons make deals or drown sorrows around the vintage walnut bar. It’s a cozy setting for photographer Barry Hathaway and I to enjoy drinks and watch plots thicken.

“Was wonderin’ if you want to drive with me to Colorado Springs to see my Grandfather,” Barry asks tentatively. “Drive to Colorado? No thanks. Too bad your bike is in Europe or we could ride to Colorado. Then I might be interested,” I countered. Topic closed, we returned to inflated tales of previous conquest until last call.

Next day, Barry calls to say he has borrowed a Moto-Guzzi 1100 and only hours later, we’re hammer-down on I-15, running the gauntlet through Las Vegas. Colorado Springs, here we come. “Today we pay our dues!” Barry yells through the wind.

450 miles of baking desert later, we check into an adobe motel in Zion, Utah. After seven hours tucked in, flat out on my Suzuki SV650, I’m looking forward to a hot meal at a comfortable diner. Unfortunately, all we find is a grocery store, and endure cold sandwiches and warm salads in the deli aisle. “How do you feel about waking early to catch the sunrise?” Barry asks. “I’ll let you know tomorrow,” I respond. The sun rises without us, but we also miss freezing our ass off.

A twist of the throttle and we enter Zion National Park. Infinite formations of rock melt like candle wax across the horizon. The winding roads a welcome change from yesterday’s Interstate. Arched windows carved into tunnels offer a blurred glimpse of what lies ahead. Anticipation building, we exit into bright sunlight. Eyes quickly adjust to focus on dramatic panoramas of rock and pine. Seemingly in the blink of an eye, Zion is behind us. We consider turning back, but are anxious to see what lies ahead.

My compliments to America’s Bureau of Land Management as well as the D.O.T. Perfectly maintained highways snake gracefully through Bryce Canyon. A sea of boulders large and small defying gravity in abstract formations and intricate patterns. Bryce seamlessly becomes Escalante. Another priceless rock collection and more flawlessly maintained roads free of traffic. A gradual increase in elevation reveals groves of chalky, white aspens covering the rolling hillsides. Back at sea level, aspens are replaced again by rocks. Stopping at last in Hanksville, we check into another cheap motel, contemplate dinner and watch the sun go down before debating merits of seeing it come back up.

“Looks like rain…” I sarcastically observe opening the door to a crisp, cloudless morning.” “The only dark cloud is over your head,” Barry responds with impeccable timing.

An ignored treasure, Glen Canyon is heaven on Earth. While the majority of vacationers fish in Powell, party in Havasu or fill the Grand Canyon, time passes among these burnt sienna walls without interruption.

Running on fumes to Blanding. North to Monticello. East on 666 to 141. 90 to 145. 162 to 550. Crossing the Rockies on 50 and stopping finally in Salida where we call it a day.

This time Barry does wake me at sunrise. He’s anxious to see his Grandfather who lives in nearby Woodland Park, Colorado. Paul is a well-respected artisan of metal, wood and textiles, living in the home he built for his family two generations ago. The property is filled by his prolific work, surrounded by old-growth pines at the end of a dusty road. Paul’s health is failing and that’s why we’re here. “The secret to good coffee is good water.” he says. “Damn good water,” I reply. After quality-time with Paul, we motor on to Colorado Springs and part company while Barry visits the rest of his family.

In a greasy spoon called “Western Omelet” I meet Gary, a fellow rider. “You’re bike looks fast,” He comments, admiring the SV outside the window. “I have an XR for local mountain trails,” he adds. When I mention the beauty of our National Park System, his tone changes, regarding entry fees and fishing taxes. “They get you coming and going,” he says.

After checking into Garden of the Gods Inn, I walk down Colorado Avenue looking for cheer. Among touristy gift shops sits a historic roadhouse called The Meadow Muffin. Alone at the bar, I try to appear inconspicuous but the tattered roadmap in my lap is an easy giveaway. “It’s Happy Hour all day,” the bartender offers. Taking it as a sign, I watch the afternoon go by through a dusty window.

Next morning the motel clerk points out the baldness of my rear tire. On a tight schedule (and budget) I had been trying to ignore it. I do some calculations and when I check messages it only confirms that I need to get back to Costa Mesa. Since Barry needs more time with family, I head South on Friday, now flying solo.

Regardless of the balding tire, I choose a scenic route and glide onto Highway 25 South with dark clouds directly in my path. It really does look like rain this time. The ominous weather follows me to South Fork, where ice on Wolf Creek’s 11,000-foot pass forces an extended time out. I check into a cheap room and meditate on this new obstacle.

Saturday morning, I awake determined to cross the Wolf Creek summit, regardless of bald tire and icy impasse. Tentatively, I rumble up the slope, into the clouds. Swirling flakes surround me, slush and ice beneath me. Twenty miles of elevation ahead of me. My hands and feet are wet and numb, the extreme conditions slowing me to an idling crawl. Big rigs parked along turnouts weighing their own options, I note an absence of vehicles headed in the opposite direction and soon understand why. The SV stutters in agreement, and I reluctantly turn around. Back in South Fork staring at the map it appears the only route west is a detour, one hundred miles east. Swallowing my pride, I fold the map and accept my fate.

Wind blasts from all directions, only picking up speed in New Mexico. Now at 8,000 feet, dark clouds blanket the surrounding hillsides. Determined to make forward progress and going a bit nutty, actually. Yelling euphorically at the poor hand I’ve been dealt, wishing I was back at The Meadow Muffin. Upward and downward, upward and downward, reaching Santa Fe at 1:30. I enjoy a sandwhich and bake in the patio sun before heading on to Albuquerque. Extreme weather now behind, a new problem rears its head.

Without warning, the SV loses compression. No response from throttle, I downshift and stay on it. Surging forward, she reignites. The problem continues intermittently, but each time correcting itself. Limping to Albuquerque, where I call friends for remote diagnostics. Theories include: 1: vacuum hose kinked; 2: loss of cylinder; 3: electrical connections; 4: water in gas. I check hoses and connections then limp to a local parts store for fuel additive. Riding around the parking lot, the bike now sounds fine.

As I hit the onramp, the SV again falters. It’s now Sunday, so either I go for it, nursing her down the highway or lose another day waiting for shops to open Monday. I choose to push forward. The SV cooperates and after a hundred miles, I begin to relax. Happy to be moving forward. But, you guessed it, the SV stalls out again. I stay on the throttle and downshift, awaiting the now familiar surge of power. I begin inventing morbid scenarios; Broken down, leaving the bike, hitching a ride, returning to the bike, the bike gone. Flying home, defeated. I pay close attention to mile-markers and populated exits.

When I eventually arrive in Flagstaff I begin tearing the bike apart. Plugs? Fine. Filters? Fine. Hoses? Fine. Everything within reach appears sound. Tomorrow is Monday. Do I continue limping home, across the barren Mojave?

Barry calls from Colorado, enjoying his extended visit. He suggests I locate a mechanic nearby and replace that bald tire while I’m at it. Relieved to have a plan, I enjoy dinner downtown. There are worse places to be stuck than Flagstaff.

Monday morning, I locate a Suzuki dealership in the yellow pages and arrive promptly at 9am. But there’s no Suzuki dealer, instead a Hyundai lot. So, this is karma. With grim determination, I hit the onramp. I even allow myself enjoyment of a beautiful spring day, making it all the way to Seligman, California before trouble re-arises. The same routine: No power, downshift, throttle, eventual surge forward. No power, downshift, throttle, eventual surge forward. But now, in this barren desert, the bald rear tire has my full attention. Down to steel belt, I’m amazed it holds air. With a thin, flat profile, I feel every pebble. Confident that engine problems will reliably appear and disappear, morbid scenarios now involve exploding tires and loss of control. I ride with extreme caution and blind faith. Inching ever closer to salvation.

At the end of the day, I stutter into my garage, park the bike and call Barry to tell him that my days of spontaneous adventure are over. “Yeah, right,” he chuckles. “I guess that dark cloud followed you all the way home. I’ve seen nothing but clear skies and rainbows. And the Guzzi is running flawlessly. I’ll see you at the bar tonight.”